BLUES AT THE BOW IS PROUD TO BRING YOU
OUR FIFTH AND FINAL SHOW OF THE 2008 - 2009 SEASON
RICK ESTRIN AND THE NIGHTCATS One day back in 1970, a 20-year old Rick Estrin had the opportunity to
play harmonica with Muddy Waters and his band at the Sutherland Hotel
on 47th and Drexel in Chicago’s South Side. During the break, Muddy
called Estrin over, shook his finger in his face, and shouted, "You
outta sight boy! You play like a MAN boy! You got that sound boy, I
KNOW that sound when I hear it, that’s MY sound!" $$$$$$$$$$$$$$$$$$$$
Today, singer/harmonica player/songwriter Rick Estrin ranks among the
very best harp players in the blues world. His work on the reeds is at
once deep in the tradition of harmonica masters Sonny Boy Williamson II
and Little Walter Jacobs while at the same time pushing that tradition
forward. The Associated Press called his harp playing, "endlessly
impressive." The great guitarist Robert Lockwood, Jr. (who was schooled
by Robert Johnson and who played on most of Little Walter’s Chess
recordings) told Estrin, "Little Walter would be very proud of you."
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For more than 30 years and nine albums, Rick fronted the jumping,
swinging Little Charlie & The Nightcats, featuring guitarist Little
Charlie Baty. But now, with Baty’s recent retirement from touring,
Estrin -- along with the Nightcats longtime rhythm section of J. Hansen
and Lorenzo Ferrell and fiery guitarist Kid Andersen -- is ready to
take the lead on his own. Rick Estrin & The Nightcats’ sound, while
still swinging the blues, is a harmonica-driven, rocking, guitar-fueled
rave-up. The band performs the well-known, well-loved songs from
Estrin’s massive catalog, and will introduce plenty of new material
along the way.$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
Rick’s seemingly effortless command of the harmonica is matched only by
his soulful vocals and remarkable original songs. Ever since he started
performing his own material, it has become increasingly clear that Rick
Estrin is a songwriter of unparalleled skill. His quick wit, coifed
hair, pencil-thin mustache and sharp attire inform his songs in a way
Cab Calloway, Louis Jordan, Willie Dixon and Elvis Presley would all be
proud of. Blues Revue declared, "Estrin sits on one of the finest blues
catalogs of any band on the planet. His carefully wrought lyrics
penetrate human weakness with the precision of a boxer, though more
often than not, he chooses to leave you laughing after the blow’s been
struck."$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
His songs have been favorably compared with those of Willie Dixon and
the songwriting team of Leiber and Stoller. Estrin won the 1993 Blues
Music Award for his composition, My Next Ex-Wife and has written songs
for a growing legion of famous fans. Three of his songs found their way
onto Grammy-nominated albums: Don’t Put Your Hands On Me (from Koko
Taylor’s Force Of Nature), I’m Just Lucky That Way (from Robert Cray’s
Shame + A Sin), and Homely Girl (from John Hammond’s Trouble No More).
Other artists who have covered Estrin songs include Little Milton,
Rusty Zinn, Kid Ramos and Mark Hummel. "I like songs that tell
stories," Rick says, "songs that are well-crafted and meaningful."
Besides Dixon and Leiber and Stoller, Estrin cites Sonny Boy Williamson
II, Percy Mayfield and Baby Boy Warren as his major songwriting
influences. Billboard noted that Rick writes "fabulous, remarkable
original material."$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
Besides Estrin’s songwriting and musical skills, he is among the
greatest live showmen around. "People don’t go out to see people who
look like them," says Rick. "They want to see something special. I was
schooled in this business to be a showman, and that’s what you get when
you come to see me perform." The Chicago Sun-Times noted, "It’s tough
to stay in your seat when Estrin and his musical cohorts get cooking."
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Estrin was born in San Francisco, California in 1949, and grew up
following his own path. He discovered a whole new world when, as a
10-year-old boy, he made his way to the tough Market Street area and
befriended many of the neighborhood characters. He discovered another
whole new world when his older sister gave him a copy of Ray Charles’
The Genius Sings The Blues when he was 12. Albums from Jimmy Reed,
Champion Jack Dupree, Mose Allison, Nina Simone and others soon
followed. By the time he was a teenager in a racially mixed school,
Estrin completely identified with the urban, African American culture
surrounding him. $$$$$$$$$$$$$$$$$$$$$$$$$$$$$
Estrin got his first harmonica at age 15, and by age 18 was proficient
enough to begin sitting in at black clubs around the city. He first
jammed with blues master Lowell Fulsom and almost immediately was hired
to open five shows for Z.Z. Hill. He toured with Travis Phillips and
then Rodger Collins, the man who would become Rick’s first real musical
mentor, who schooled Rick on the finer points of songwriting and show
business. He moved to Chicago and worked with Johnny Young, Eddie
Taylor, Sam Lay and Johnny Littlejohn before meeting and jamming with
Muddy Waters. In fact, Muddy wanted Estrin to go on the road with him,
but due to nothing more than some minor communication problem, it never
happened. $$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
Thanks to that missed meeting, Rick eventually met Little Charlie Baty
and formed Little Charlie & The Nightcats. For the next 30 years,
the band barnstormed around the globe, honing their skills and
entertaining countless people. Now, as Rick Estrin & The Nightcats
wind their way around the country, introducing their fresh, well-loved
sound to fans both old and new, clubs will be packed, dance floors will
be filled and a guaranteed great time will be had by all.
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THE
NIGHTCATS
J. Hansen (drums)$$$$$$$$$$$$$$$$$$$$$$$$$$$$
J. Hansen was born in Joliet, Illinois in 1972. He began playing drums
at a very early age and played his first gig at the age of 13. He began
his musical career playing Dixieland and traditional jazz with classic
jazz multi-instrumentalist Clint Baker. While studying music in
college, J. began working in local Bay-Area blues bands and started
writing songs for his own R&B/funk band-Verso. In 1998, J. toured
California and recorded a CD with the Preservation Hall Jazz Band’s
longtime tenor banjo player, Narvin Kimball. In 1999, J. began playing
with the well-known swing band Steve Lucky and the Rhumba Bums, with
whom he recorded a CD and toured. Hansen joined The Nightcats in 2002.
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Lorenzo Ferrell (bass)$$$$$$$$$$$$$$$$$$$$$$$$$$$$
Lorenzo Ferrell was born in Lexington, Kentucky, 1976. He grew up in
the fertile music scene around Bloomington Indiana. He absorbed rock
radio of the 1980s, and was a huge Beatles fan. Ferrell studied
classical piano for 10 years and also picked up the guitar. During his
high school years in Berkeley, California, Lorenzo discovered jazz and
made the switch from piano to acoustic bass. He played jazz all through
high school and college. After moving to California, Ferrell joined J.
Hansen in the San Francisco group Steve Lucky and the Rhumba Bums. He
re-joined Hansen in 2003 when he was recruited into The Nightcats.
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Kid Andersen (guitar)$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$$
Chris "Kid" Andersen was born in Telemark, Norway in 1980. A blues fan
since childhood, Andersen fell in love with the the music of Jimmy
Rogers, Lightnin’ Hopkins, Junior Watson, and the Kings (B.B., Albert
and Freddie). By the time he was 18, he was backing all the American
blues stars who came through Norway, including Homesick James, Nappy
Brown, Willie "Big Eyes" Smith and others. He moved to California at
age 21, and has released four solo albums and joined blues harmonica
legend Charlie Musselwhite’s band in 2004, a gig that lasted until Kid
joined Rick Estrin & The Nightcats.
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www.myspace.com/rickestrin