BONUS SHOW!!!!!!
BLUES AT THE BOW IS HAPPY TO ANNOUNCE THAT WE ARE ABLE TO GIVE OUR MEMBERS A BONUS SHOW FOR THE 2009-2010 SERIES!!!!
Get your seat passes soon..... this will be a fantastic show!
BRING YOUR FRIENDS!!!!
MARK HUMMELThe past decade has seen the emergence of young harmonica-led blues bands. In
California, groups that draw their inspiration from the Chicago
school but add elements of jump blues and rock 'n' roll into the mix have
come up with an exciting new style of West Coast blues. In Oakland, the northern
capital of California blues, resides the incredibly powerful harmonica
player and vocalist Mark Hummel, leader of The Blues Survivors, who has
been a major force in shaping and defining this musical genre.
Mark Hummel is a road warrior - a true Blues Survivor. Along the way, he has crafted
his own trademark harmonica sound - a subtle combination of
tone, phrasing and attack combined with a strong sense of swing.
While Mark is new to Electro Fi Records, his earlier albums,
constant touring and appearances at the major blues festivals
have firmly established his solid reputation around the US and
Europe.
Born in New Haven,
Connecticut and raised in Los Angeles, California, Mark absorbed
the music of such Chicago based harp blowers as Little Walter,
James Cotton, and Sonny Boy Williamson, before settling in Berkeley,
California in 1972. There he played with local bluesmen such
as Cool Papa, Boogie Jake, Mississippi Johnny Waters and Sonny
Lane. In 1980, he took the helm to lead the popular Blues Survivors
Band.

In 1985, the Blues
Survivors released Playing in Your Town, on Rockinitus Records,
and immediately went out on the road. Earning their name, they
toured virtually non-stop throughout the United States, Canada
and Europe often playing alongside such blues greats as Charlie
Musselwhite, Brownie McGhee, Lowell Fulson and Eddie Taylor.
While on tour with
his band in 1988, Mark was introduced to Canadian guitarist
and vocalist Sue Foley. After several tours that year, Mark
and Sue released Up & Jumpin', which also features piano
legend Charles Brown. Eager to revive the Blues Survivors, though,
Mark hit the road again in 1990, before releasing Hard Lovin'
in 1992 on Double Trouble Records. He has been on the road constantly
since then, stopping only to record Feel Like Rockin' in 1994
and Married to the Blues in 1995 on Flying Fish Records. He
has performed at numerous festivals across the country, including
the San Francisco Blues Festival, Chicago Blues Festival, King
Biscuit Blues Festival, Waterfront Blues Festival, Monterey Jazz
Festival, and has performed and judged at the Hohner Harmonica
World Championship, held in Germany.
For Heart of Chicago, Mark's sixth release and first on Tone-Cool, Mark
traveled to the Windy City to record with some of the city's most
legendary players and pay tribute to his Chicago blues influences.
Featuring former Muddy Waters sidemen Willie "Big Eyes" Smith and Bob
Stroger on drums and bass, guitarist Dave Myers from Little Walter's
band, and others. In 1998 Mark released Lowdown To Uptown,his 7th cd, a
mix of Chicago blues & uptown jazz. This cd featues great guests
such as Jr. Watson, Mike Welch, Brenda Boykin & the last piano
recording of the late, great Charles Brown. Mark's most current CD is
called "Ain't Easy No More" on the Electro Fi label. A mixture of
Hummel's originals and some choice rearrangements of previously
recorded blues. It's receiving extended radio play at the moment.
Since 1991 Mark has been both producing
& performing at his annual Blues Harmonica Blowout™ series.
These shows have grown to be a much heralded event & continue
to draw sellout crowds wherever they appear. The list of participents
is a who's who of Blues harp history, James Cotton, Charlie Musselwhite, Norton
Buffalo, Kim Wilson, Huey Lewis, Carey Bell, Billy Boy Arnold, Rod
Piazza, Rick Estrin, Paul deLay, Snooky Pryor, James Harman, Gary
Primich, Sam Myers, in just the last three years of this 11 year
event.
RUSTY ZINN


BIOGRAPHY:
Time
after time, Oakland-based bluesman Rusty Zinn’s raw, burning guitar
work and soulful vocals leave listeners open-mouthed in amazement. That
is, until their feet start to move uncontrollably and lead them to the
dance floor, as Zinn’s jumping blend of 1940s and 1950s West Coast
swing/blues and gritty Chicago blues takes over. Zinn has electrified
audiences around the world with his fiery live shows and critically
acclaimed recordings, both as a leader and as a sideman. Zinn’s
raw talent and deep feeling for the blues have earned him gigs and
recordings over the past ten years with many blues masters, including
Jimmy Rogers, Snooky Pryor, Luther Tucker, James Cotton, Mark Hummel
and Kim Wilson (who helped Rusty get his first recording contract and
co-produced his first album, Sittin' & Waitin’ for Black Top Records in 1996). Upon the album’s release, The Memphis Commercial Appeal
raved, “Rusty Zinn is the real deal. To say this is the best blues
release of the year is an understatement.” With Zinn’s Black Top follow
up, Confessin’, things got even more exciting. “The cuts on Confessin’ play like time-capsuled tunes in a forgotten Memphis jukebox,” shouted Blues Revue. “If rompin’, stompin’ pedal-to-the-metal blues is your thing, here’s a record for you,” announced Vintage Guitar.
Zinn’s Alligator release, THE CHILL, features
his forceful, tasteful, fat-toned guitar playing and R&B-inflected
vocals on a vibrant mix of obscure blues songs and heart-pounding
originals. Featuring twelve songs (with five Zinn originals), THE CHILL swings, rocks and rolls from start to finish. From the soulful Ladies Choice to the pumping She’s Got Style to the down home Moonlight Blues (with a guest appearance by Elvin Bishop) THE CHILL
will bring Zinn to the top of the blues world. Little Charlie Baty
called Rusty, “The most impressive guitarist I’ve heard in years. He’s
the real deal.” “Zinn’s sharp and assertive guitar work is one of the undersung pleasures of the current blues scene,” shouted Down Beat. The album will no doubt make these words ring true all over the world.
Born in Long Beach, California in 1970, Rusty Zinn grew up in Santa Cruz. His
brother introduced him to the blues at the age of 15 by bringing home
Muddy Waters and Howlin’ Wolf records. As Zinn recalls, “I heard them
and asked my brother, ‘What’s that?’ He said, ‘That’s the blues!’ I
just loved it. From then on it just snowballed.” Rusty
picked up the guitar at age 17, fascinated with the styles of Jimmy
Rogers, Eddie Taylor, Robert Jr. Lockwood and Luther Tucker (a
groundbreaking Chicago and San Francisco-based
guitarist famed for his work with James Cotton, Little Walter, Otis
Rush, Jimmy Rogers and Muddy Waters). Tucker
played a pivotal role in Rusty’s burgeoning career when he invited an
18-year-old Zinn to jam during a gig near Santa Cruz. Zinn’s
enthusiasm and intensity made such a big impact on Tucker that he took
the young guitarist under his wing and shared musical ideas and years
of road-tested experience with him.
Zinn quickly made a name for himself playing in several Bay Area blues bands. As his reputation grew, he backed up touring blues luminaries Snooky Pryor and Jimmy Rogers. From
there he went on the road with Bay Area harp veteran Mark Hummel,
logging in countless touring miles while honing his chops. One
of the many gigs Rusty played was a special package show with Jimmy
Rogers and Billy Boy Arnold at the San Francisco Blues Festival, where
Zinn met Kim Wilson of The Fabulous Thunderbirds.
Wilson was so impressed with Rusty’s playing he invited him to Austin for the recording of his 1993 album, Tigerman. Wilson
then asked Zinn to join his band. Soon afterwards, Wilson brought Rusty
to the attention of Black Top Records, who signed Rusty to the label
and released two critically acclaimed solo albums. Zinn earned a 1996 Blues Music Award nomination for "Best New Blues Artist." Zinn
toured extensively and won fans all over the country with his blazing
live performances and exceptional guitar playing at events like The
Monterey Jazz Festival, The Long Beach Blues Festival, Blues By The Bay
and The Russian River Blues Festival. His 1999
appearance at The San Francisco Blues Festival drew rave reviews and
wildly enthusiastic ovations from the overflow crowd of seasoned blues
fans.
Rusty Zinn is the genuine article,” said Blues Revue. “A young guitarist who is a piece of the blues future.” “He sounds like a future master,” agreed OffBeat. Indeed, Zinn’s future is very bright. From
the minute he strikes the first chord to the last note wrenched from
his exhausted strings, Rusty Zinn leaves audiences everywhere amazed,
knowing they’ve just witnessed one of the brightest young blues stars
to emerge in years. And with THE CHILL, Zinn will send shivers down the spines of listeners all over the world.